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Features

The politics of Aadai

Rajesh Rajamani new

  Rajesh Rajamani   Introduction   There is a prevalent tendency among film critics and even audience to classify a movie as feminist just because it has a female actor playing the lead role. So when Rathna Kumar’s Aadai starring Amala Paul released recently, there were similar expectations. Also, since the movie was titled ‘Aadai’ …

Features

The Double Dhamaka of being a Brahmin Revolutionary

Rajesh Rajamani new

  Rajesh Rajamani Recently, when ‘Kabali’ director Pa Ranjith introduced ‘The Casteless Collective’, an initiative that attempts to politicize and mainstream ‘Gaana’ music (considered to be a musical form of the oppressed), he was accused of bringing caste into art. Popular Tamil singer Srinivas from the Iyengar community rubbished the initiative on his social media …

Features

The Earnestness of Kabali

Rajesh Rajamani 3

  Rajesh Rajamani Kabali is a very good movie. (Warning: Spoilers ahead!) The movie effectively borrows several Rajinikant tropes and uses them meaningfully within the script. For example, Rajinikant’s movies almost always begin with an opening song. Where he introduces himself to the audience. No one knows why this is done. It’s quite a bizarre …